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Celebrate the amazing evolution of beadwork from a simple craft to expressive art. Every stunning sculpture, vessel, figure, loomed and woven work, free-form installation, and piece of jewelry shown here in glorious color photos is gallery-quality and thoroughly unique. Jennifer Maestre’s intricate, swooping pencil-point bead sculptures explore form, motion, and space. A. Kimberlin Blackburn has fashioned lush Hawaiian Island scenes out of glass beads and hand-carved wood. The ever-innovative David K. Chatt has entries ranging from the pointed commentary, White Men in Suits, to vivid jewelry. For a little humor, try Valeria Harlow’s masterful Toe Mangler, a testament to every woman who has ever suffered in uncomfortable shoes. This amazing collection is truly state-of-the-art. 

From “The World’s Finest Automatic Washer” to the Cadillac which “Gives a Man a New Outlook,” you’ll find a colorful plethora of ads for just about anything the dollar could buy. Oh, and “Have you noticed how many of your neighbors are using Herman Miller furniture these days?” If only you could really travel back in time and pick up a few chairs for your collection...

With the consumerist euphoria of the fifties still going strong and the race to the moon at its height, the mood of advertising in the sixties was cheerful, optimistic, and at times, revolutionary. The decade’s ads touted perceived progress―such as tang and instant omelets - "just add water"―while striving to reinforce good old American values.

Both eclipsed and influenced by television, American print ads of the 1970s departed from the bold, graphic forms and subtle messages that were typical of their sixties counterparts. More literal, more in-your-face, 70s ads sought to capture the attention of a public accustomed to blaring, to-the-point TV commercials.

This book shows the progression of Interior Design of the Arabian countries. In contrast to many countries modeled according to the Western traditions, the Arabian culture is closely tied to religious and social values. The current discussion regarding contemporary architecture broaches the subject of the importance of tradition and deals with the Arabian identity. The architects have various viewpoints on the subject: Besides those who represent an international and global architectural language, there are also numerous planners that incorporate historical elements such as arches, domes and columns into their designs and interpret them in a contemporary fashion. Arabian Design presents the projects of renowned offices and young architects and shows the exciting process, in which a new, modern presence is developing out of tradition and ideas for the future are resulting. all projects are listed in alphabetic order of the designers and architects. Plans of the projects are shown as far as available. An index of contact information of the designer and architects is enclosed.

Dlaczego niektóre produkty wzornictwa przemysłowego odnoszą większy sukces i wywierają większy wpływ?

W książce Arcydzieła wzornictwa czytelnik znajdzie osiemdziesiąt wyróżniających się projektów, od aparatu fotograficznego Polaroid Land i walkmana Sony po butelkę Coca-Coli® czy buty sportowe Converse All Stars. 

In a fleeting 14-year period between two world wars, Germany’s Bauhaus School of Art and Design changed the face of modernity. With utopian ideas for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology, which they applied across media and practices from film to theater, sculpture to ceramics.

This book is made in collaboration with the Bauhaus-Archiv/Museum für Gestaltung in Berlin, the world’s largest collection on the history of the Bauhaus. Some 550 illustrations including architectural plans, studies, photographs, sketches, and models record not only the realized works but also the leading principles and personalities of this idealistic creative community through its three successive locations in Weimar, Dessau, and Berlin. From informal shots of group gymnastics to drawings guided by Paul Klee, from extensive architectural plans to an infinitely sleek ashtray by Marianne Brandt, the collection brims with the colors, materials, and geometries that made up the Bauhaus vision of a “total” work of art.

As we approach the Bauhaus centennial, this is a defining account of its energy and rigor, not only as a trailblazing movement in modernism but also as a paradigm of art education, where creative expression and cutting-edge ideas led to simultaneously functional and beautiful creations. Featured artists include Josef Albers, Marianne Brandt, Walter Gropius, Gertrud Grunow, Paul Klee, Ludwig Mies van der Rohe, and Lilly Reich.

Bauhaus Goes West is a story of cultural exchange, not only between the Bauhaus émigrés and the countries to which they moved, but also in the other direction, focusing in particular on Britain.

 Now in its sixteenth year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters.

 In Britain today the output of excellent ceramics seems more eclectic than elsewhere. This stylish and wide-ranging survey comprises examples of clay art by one hundred major artists, covering the period from the late 1980s through 2009. Drawn from the Diane and Marc Grainer Collection, it includes works by Allison Britton, Edmund de Waal, Kate Malone, Grayson Perry, Julian Stair, Steve Dixon, and Nick Arroyave-Portela, among others. The selection balances functional objects and sculpture; hand-built, thrown, and molded techniques; varieties of scale and color; and cerebral and emotional content.

All the ceramics here are rooted in the materiality of clay. The properties of the raw material, from its soft, malleable texture to the alchemy of slips and glazes, are at the core of the artists’ passion. And, as the text reveals, the younger generation is moving into new directions of art practice.

An exciting overview of contemporary ceramic art, featuring the work of ninety artists at the forefront of this booming field

No longer considered merely decorative, ceramic art has broken free from the dusty display cases to which it was once relegated and is now taking centre stage in contemporary galleries.

Although often integrating traditional modelling, firing and glazing techniques into their output, the 90 artists featured here invite us to look at ceramics in a different way. Whether creating monumental installations or intricate miniatures, imaginary beasts or life-size human figures, they subtly blur the borders between art and craft, sometimes conceiving witty or unnerving twists on traditional ceramic forms, sometimes using cutting-edge technology, conceptual thinking and new platforms to push the boundaries of clay and broaden its appeal.

Packed with works that are questioning and provocative, disturbing and seductive, this is an exciting overview of a booming field.